“Autumn Play” Mixed media on paper laid down on board. Exhibited at the Belconnen Arts Centre in the “Traces 2” exhibition – two were sold.
LEAVES AND STRANGERS
Watching the everyday parade from a park bench in Canterbury, Melbourne. A place from my past were winds spoke in tongues and rogues looted cooly. Mothers and daughters, son’s and lovers, exiles and outcasts, file past the old Rotunda, from which brassy music can be heard once a year in spring.
Not one of these faces ever looks the same twice. Different in every happy snap, from every angle, from a memory glance to shop front spectacle. Different again under a shade tree or squinting into the sun.
Different again under the harsh light of an incandesent eye and a light bulb idea of beuty and friendship. Life is long and stores within the face a myriad of expressions changing with winter and with summer and the in-between moments.
With bright blue skies and dark foreboding formations, the stream of faces pass by the old rotunda just like so many leaves – too innumerable to count. They flutter and fall, get washed down and passed over, but are constantly reborn in vivid, soft and tender hues.
The grounds are seemingly made of leaves, forming an irreducable mass, waiting for little feet in bright yellow gumboots to disrupt their winter sleep. Leaves clog up the guttering of the rotunda, and in wet weather will cause the rain to cascade down its sides. Strangers will briefly gather then , from where the music eminates once every spring, and they will listen to a different kind of music.
Sitting on a park bench in Canterbury gardens watching the everyday parade pass by, the last leaves to fall clinging desperately to their twiggy home, as if the last few bucks in the hands of a teenage scrooge. A toy lies half berried in their midst, playing peek a boo with a ghost.