Posted on October 5, 2015
In recent months I have concentrated on a series of works on paper on the theme of a family group. This is a theme that has been explored by many artists and I am particularly drawn to the images of Henry Moore during his “bomb shelter” era. I used my own family as a reference, assembling them to make a tableaux then expanding on basic this configuration to explore distortion and other structural variations.
Most of these works began as a simple monotype line drawing, and were taken in different directions using gouache, ink and pastel.
Posted on May 19, 2015
Posted on April 30, 2015
Even in the minute wilderness in the corner of a modest backyard, there is a certain adventure to be had. Finding creatures that wiggle and squirm under a rock, sticks; stones and dirt that mimic an avalanche; leaves and vines that could be the terrain of a strange new world. A child’s garden is a place where imagination takes refuge, where games find a stage, and where time is strangled by inextricable creepers.
Posted on April 20, 2015
I have been working on two distinct themes this year. Continuing the Asylum Seeker pictures as well as the Child’s Garden series. I’m vacillating about putting in a proposal for a show “speak for me”, however I remain uncertain as to whether I have the right pictures for such an exhibition.
On the weekend I dressed the kids up with head scarves and took photos as reference for a new set of works on paper. I’ve had the idea of working on a family group for sometime but pushing my approach toward a more abstract configuration. I have always been a big fan of Henry Moore’s drawings and sculptures on this subject which will become evident as I post more of the images.
Posted on March 15, 2015
See the ink to this article…
Posted on February 14, 2015
This was painted in tandem with “A Child’s Garden” a some what more orthodox thematic approach. It occupies a piece of canvas that was first part of a large painting from 1994 “probation Broken”- A year of discovery, a year of trial and error, a year of great productivity and intense feelings.
I kept this fragment, just as I have many other works, because paintings remain constantly evolving. They reach conclusion at unexpected times, and sometimes they fail to reach a point of resolution.
Posted on February 3, 2015
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