Posted on November 25, 2017
Posted on November 17, 2017
“Autumn Play” Mixed media on paper laid down on board. Exhibited at the Belconnen Arts Centre in the “Traces 2” exhibition – two were sold.
LEAVES AND STRANGERS
Posted on November 4, 2017
Posted on September 24, 2017
Posted on October 7, 2016
Exhibition curated by Narelle Phillips of the Tuggeranong Arts Centre.
I am very excited to have been invited to take part in this exhibition. The opening was a great occasion and an opportunity to meet other artists working with the same subject matter.
My main piece in the show “Uncertain Voyage” was also used as the front cover of a new book published earlier this year by Irial Glynn –
Irial Glynn is a Marie Curie Intra-European Fellow at the Institute of History at Leiden University Netherlands. His research focuses on postwar Irish and Italian migration history, global trends in asylum policymaking from a historical perspective and the links between memory studies and migration studies.
Other recent works not included in this exhibition…
Category: Art, Asylum Seekers, Australia, Boat People, Canberra, Exhibition, Human Rights, PAINTINGS, Politics, Refugees, Uncategorized Tagged: Activism, Ampersand Duck, Art, Asylum Seekers, Australia, Barak Zelig, Boat People, Canberra, Irial Glynn, Leiden University, Lucile Carson, Mona Khizam, Narelle Phillips, Nicci haynes, Painting, Penny Ryan, Sean Davey, Tuggeranong Art Centre
Posted on March 30, 2016
Today was bump in for my exhibition “Uncertain Journeys”.
The image of the boat has been a recurring theme in my painting for three years. Imagining the claustrophobic hull – the hell of uncertainty. The forced migration of people is a defining aspect of the times and the “illegal” journey to Australia by boat is now part of our modern mythology.
I worked night shift with a young man who made such a journey in 2001. Although only 8 years old at the time, he vividly described three nights jammed in with asylum seekers from a variety of countries, sharing the same goal and the same fear in the wilderness of hours huddled together clutching make shift weapons. They had little idea where they were headed, but anywhere was better than the danger and persecution they faced at home.
We have been bombarded with images and discussion in the media regarding the plight of refuges seeking asylum. This reflects upon our collective character as a nation, and resides in our hearts and minds, either to solidify prejudice or to create a powerful sense of injustice.
These pictures have grown out of this turbulence, my perspective – sensitive to the issues, and reflective about the discussion and consequences of government policy.
Category: Art, Asylum Seekers, Australia, Belconnen Arts Centre, Boat People, Canberra, Exhibition, Human Rights, PAINTINGS, Politics, Refugees, Uncategorized Tagged: Activism, Art, Art work, Asylum Seekers, Australia, Australian Art, Belconnen Arts Centre, Boat People, Canberra, Exhibition, Human rights, Paintings, protest art, Refugees
Posted on October 5, 2015
In recent months I have concentrated on a series of works on paper on the theme of a family group. This is a theme that has been explored by many artists and I am particularly drawn to the images of Henry Moore during his “bomb shelter” era. I used my own family as a reference, assembling them to make a tableaux then expanding on basic this configuration to explore distortion and other structural variations.
Most of these works began as a simple monotype line drawing, and were taken in different directions using gouache, ink and pastel.
|lowcheckkian on More Garden Images|
|crowcries on A Child’s Garden|
|kellyartisthorton on A Child’s Garden|
|crowcries on The Survivors|
|crowcries on The Boat|